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As a teenager, I spent my time wondering why in sci-fi movies, every landscape, every object I could see was Western or Asian based. I've finally understood that somewhere our legacy had been locked in the past, that we couldn't be "futuristic" in the eyes of our fellow Europeans. We have to look behind our shoulders, get back to our traditions, seize the best of them and shape a future with it. This without forgetting we are part of the world, totally, unquestionably. The future is for me not only a matter of dialogue with the past, but and beyond everything a dialogue with the rest of the planet.Kossi AguessyHow is it possible to adequately capture histories of design in Africa, a continent with fifty-four countries? How can one avoid producing just another essentialising master narrative of "African Design"? How can one make sense of the many entangled yet often asymmetric and sometimes ambivalent histories of form-finding processes between Africa and Europe? In keeping with the premises of a global art and design history approach, the book offers a change of perspective: focusing on the mobility of people, objects and ideas - on flows between Africa and Europe as well as on a South-South axis - allows for multiple yet necessarily fragmented design histories to be identified and recognised. The contributors trace multi-faceted design case studies from a historical perspective, with attention to the present as well as towards possible futures. |
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Flow of forms, forms of flow design histories between Africa and Europe eds. Kerstin Pinther & Alexandra Weigand, Flow of forms / forms of flow, Flow of forms/forms of flow, Bielefeld transcript Verlag [2018], © 2018, 1 Online-Ressource (207 Seiten) Illustrationen, Text txt rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Design 37, As a teenager, I spent my time wondering why in sci-fi movies, every landscape, every object I could see was Western or Asian based. I've finally understood that somewhere our legacy had been locked in the past, that we couldn't be "futuristic" in the eyes of our fellow Europeans. We have to look behind our shoulders, get back to our traditions, seize the best of them and shape a future with it. This without forgetting we are part of the world, totally, unquestionably. The future is for me not only a matter of dialogue with the past, but and beyond everything a dialogue with the rest of the planet.Kossi AguessyHow is it possible to adequately capture histories of design in Africa, a continent with fifty-four countries? How can one avoid producing just another essentialising master narrative of "African Design"? How can one make sense of the many entangled yet often asymmetric and sometimes ambivalent histories of form-finding processes between Africa and Europe? In keeping with the premises of a global art and design history approach, the book offers a change of perspective: focusing on the mobility of people, objects and ideas - on flows between Africa and Europe as well as on a South-South axis - allows for multiple yet necessarily fragmented design histories to be identified and recognised. The contributors trace multi-faceted design case studies from a historical perspective, with attention to the present as well as towards possible futures., Architecture, architecture, Europe, Art History of the 20th Century, African Studies, Art History, African Art, European Art, Exhibition, Design History, Design; Design History; Art History; African Studies; Architecture; Exhibition; Europe; European Art; African Art; Art History of the 20th Century;, Ausstellungskatalog Architekturmuseum der TU München 03.02.2017-12.03.2017 München (DE-588)4135467-9 (DE-627)10566491X (DE-576)209660988 gnd-content, Ausstellungskatalog Museum für Völkerkunde 06.04.2018-19.08.2018 Hamburg (DE-588)4135467-9 (DE-627)10566491X (DE-576)209660988 gnd-content, g (DE-588)4000695-5 (DE-627)10437036X (DE-576)208839046 Afrika gnd, g (DE-588)4015701-5 (DE-627)104289007 (DE-576)208913092 Europa gnd, s (DE-588)4011510-0 (DE-627)106352466 (DE-576)208893903 Design gnd, s (DE-588)4165964-8 (DE-627)105436267 (DE-576)20989900X Kulturaustausch gnd, DE-101, Pinther, Kerstin HerausgeberIn (DE-588)1119174244 (DE-627)872474046 (DE-576)47975523X edt, Weigand, Alexandra HerausgeberIn (DE-588)1153637537 (DE-627)1015136508 (DE-576)50035989X edt, Pinakothek der Moderne Gastgebende Institution (DE-588)2179410-8 (DE-627)303217502 (DE-576)197866395 his, Museum Fünf Kontinente Gastgebende Institution (DE-588)1058613936 (DE-627)797232214 (DE-576)414767799 his, Kunstraum München e.V. Gastgebende Institution (DE-588)1030546-4 (DE-627)103741550 (DE-576)191324531 his, Museum für Völkerkunde Hamburg Gastgebende Institution (DE-588)6078405-2 (DE-627)359377491 (DE-576)308576306 his, 9783837642018, Erscheint auch als Druck-Ausgabe Flow of forms, forms of flow Bielefeld : transcript Verlag, 2018 207 Seiten (DE-627)1006453954 (DE-576)500360200 3837642011 9783837642018, Design 37 37 (DE-627)859358933 (DE-576)469691158 (DE-600)2855885-6 ns, https://elibrary.utb.de/doi/book/10.5555/9783839442012 X:UTB application/pdf Verlag lizenzpflichtig, https://elibrary.utb.de/doi/book/10.5555/9783839442012 DE-14, DE-14 epn:4003798724 2023-12-21T13:00:41Z, https://elibrary.utb.de/doi/book/10.5555/9783839442012 Online-Zugriff DE-15, DE-15 epn:4203490650 2022-10-28T17:09:32Z, DE-105 epn:4212618478 2023-02-01T17:30:45Z, https://elibrary.utb.de/doi/book/10.5555/9783839442012 DE-Ch1, DE-Ch1 epn:4268930256 2024-01-09T15:00:33Z, https://elibrary.utb.de/doi/book/10.5555/9783839442012 DE-540, DE-540 epn:4289991726 2023-03-14T15:43:50Z, ILN: 736 epn:4322295231 del:202401120210, https://elibrary.utb.de/doi/book/10.5555/9783839442012 ILN: 736, ILN: 736 epn:445205806X 2024-01-10T02:59:14Z, https://elibrary.utb.de/doi/book/10.5555/9783839442012 DE-Zwi2, DE-Zwi2 epn:4504154757 2024-03-26T14:15:58Z |
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Flow of forms, forms of flow: design histories between Africa and Europe, Design, 37, As a teenager, I spent my time wondering why in sci-fi movies, every landscape, every object I could see was Western or Asian based. I've finally understood that somewhere our legacy had been locked in the past, that we couldn't be "futuristic" in the eyes of our fellow Europeans. We have to look behind our shoulders, get back to our traditions, seize the best of them and shape a future with it. This without forgetting we are part of the world, totally, unquestionably. The future is for me not only a matter of dialogue with the past, but and beyond everything a dialogue with the rest of the planet.Kossi AguessyHow is it possible to adequately capture histories of design in Africa, a continent with fifty-four countries? How can one avoid producing just another essentialising master narrative of "African Design"? How can one make sense of the many entangled yet often asymmetric and sometimes ambivalent histories of form-finding processes between Africa and Europe? In keeping with the premises of a global art and design history approach, the book offers a change of perspective: focusing on the mobility of people, objects and ideas - on flows between Africa and Europe as well as on a South-South axis - allows for multiple yet necessarily fragmented design histories to be identified and recognised. The contributors trace multi-faceted design case studies from a historical perspective, with attention to the present as well as towards possible futures., Architecture, architecture, Europe, Art History of the 20th Century, African Studies, Art History, African Art, European Art, Exhibition, Design History, Design; Design History; Art History; African Studies; Architecture; Exhibition; Europe; European Art; African Art; Art History of the 20th Century;, Ausstellungskatalog Architekturmuseum der TU München 03.02.2017-12.03.2017 München, Ausstellungskatalog Museum für Völkerkunde 06.04.2018-19.08.2018 Hamburg, Afrika, Europa, Design, Kulturaustausch |
| swb_id_str |
504056557 |
| title |
Flow of forms, forms of flow: design histories between Africa and Europe |
| title_alt |
Flow of forms / forms of flow, Flow of forms/forms of flow |
| title_auth |
Flow of forms, forms of flow design histories between Africa and Europe |
| title_full |
Flow of forms, forms of flow design histories between Africa and Europe eds. Kerstin Pinther & Alexandra Weigand |
| title_fullStr |
Flow of forms, forms of flow design histories between Africa and Europe eds. Kerstin Pinther & Alexandra Weigand |
| title_full_unstemmed |
Flow of forms, forms of flow design histories between Africa and Europe eds. Kerstin Pinther & Alexandra Weigand |
| title_in_hierarchy |
37. Flow of forms, forms of flow: design histories between Africa and Europe ([2018]) |
| title_short |
Flow of forms, forms of flow |
| title_sort |
flow of forms, forms of flow design histories between africa and europe |
| title_sub |
design histories between Africa and Europe |
| title_unstemmed |
Flow of forms, forms of flow: design histories between Africa and Europe |
| topic |
Architecture, architecture, Europe, Art History of the 20th Century, African Studies, Art History, African Art, European Art, Exhibition, Design History, Design; Design History; Art History; African Studies; Architecture; Exhibition; Europe; European Art; African Art; Art History of the 20th Century;, Ausstellungskatalog Architekturmuseum der TU München 03.02.2017-12.03.2017 München, Ausstellungskatalog Museum für Völkerkunde 06.04.2018-19.08.2018 Hamburg, Afrika, Europa, Design, Kulturaustausch |
| topic_facet |
Architecture, architecture, Europe, Art History of the 20th Century, African Studies, Art History, African Art, European Art, Exhibition, Design History, Design; Design History; Art History; African Studies; Architecture; Exhibition; Europe; European Art; African Art; Art History of the 20th Century;, Ausstellungskatalog, Architekturmuseum der TU München, Museum für Völkerkunde, Afrika, Europa, Design, Kulturaustausch |
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https://elibrary.utb.de/doi/book/10.5555/9783839442012 |
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