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Titian: sources and documents

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Bibliographische Detailangaben
Personen und Körperschaften: Hope, Charles (VerfasserIn)
Titel: Titian: sources and documents/ Charles Hope
Format: Buch
Sprache: Englisch, Italienisch, Latein, Spanisch
veröffentlicht:
[London] Ad Ilissvm 2023
[Foxton, Cambridge] The Burlington Press 2023
Schlagwörter:
Inhalte/Bestandteile: 6 Datensätze
Quelle: Verbunddaten SWB
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520 |a Titian was one of the most famous, successful and long-lived of Renaissance painters. Much of his output was for rulers or institutions whose archives have been in large part preserved, and many of his family papers have also survived. In addition, he was mentioned in more than a hundred and sixty different publications in his lifetime. Although hundreds of the documents about him and his work have been published, usually in specialised publications based on material in a single archive, there have only been two attempts to provide an overview of the entire body of documents and early published references to him, the first by Crowe and Cavalcaselle in 1877, the second by Adolfo Venturi in 1928. These publications were necessarily selective and included transcriptions of only a small part of the material which was used. The collection, amounting to over two thousand nine hundred items, includes not only texts specifically about Titian himself, but also those concerning his siblings and children, his principal assistants and the other members of the Vecellio family already active as painters before his death, as well as inscriptions on paintings and prints. In addition to texts dating from Titian’s lifetime, the collection includes all biographical material published before 1700 and all other texts that could realistically be thought to reflect first- or second-hand anecdotal information about him. The particular strengths and limitations of the principal early printed sources and the circumstances in which they were produced are discussed in a substantial introduction, which also includes an overview of the main archival collections consulted in the preparation of the book. Most of these are in Italy, but others are in Spain, Austria and Germany. New transcriptions are provided for the great majority of the documents that have previously been published, and many hitherto unknown documents have been included. Consideration is given also to documents now known only via secondary sources, and to fake documents, of which a significant number were produced in the past two centuries. 
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contents Titian was one of the most famous, successful and long-lived of Renaissance painters. Much of his output was for rulers or institutions whose archives have been in large part preserved, and many of his family papers have also survived. In addition, he was mentioned in more than a hundred and sixty different publications in his lifetime. Although hundreds of the documents about him and his work have been published, usually in specialised publications based on material in a single archive, there have only been two attempts to provide an overview of the entire body of documents and early published references to him, the first by Crowe and Cavalcaselle in 1877, the second by Adolfo Venturi in 1928. These publications were necessarily selective and included transcriptions of only a small part of the material which was used. The collection, amounting to over two thousand nine hundred items, includes not only texts specifically about Titian himself, but also those concerning his siblings and children, his principal assistants and the other members of the Vecellio family already active as painters before his death, as well as inscriptions on paintings and prints. In addition to texts dating from Titian’s lifetime, the collection includes all biographical material published before 1700 and all other texts that could realistically be thought to reflect first- or second-hand anecdotal information about him. The particular strengths and limitations of the principal early printed sources and the circumstances in which they were produced are discussed in a substantial introduction, which also includes an overview of the main archival collections consulted in the preparation of the book. Most of these are in Italy, but others are in Spain, Austria and Germany. New transcriptions are provided for the great majority of the documents that have previously been published, and many hitherto unknown documents have been included. Consideration is given also to documents now known only via secondary sources, and to fake documents, of which a significant number were produced in the past two centuries.
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spelling Hope, Charles 1945- VerfasserIn (DE-588)133492850 (DE-627)691504237 (DE-576)299884473 aut, Titian sources and documents Charles Hope, [London] Ad Ilissvm 2023, [Foxton, Cambridge] The Burlington Press 2023, Text txt rdacontent, ohne Hilfsmittel zu benutzen n rdamedia, Band nc rdacarrier, Titian was one of the most famous, successful and long-lived of Renaissance painters. Much of his output was for rulers or institutions whose archives have been in large part preserved, and many of his family papers have also survived. In addition, he was mentioned in more than a hundred and sixty different publications in his lifetime. Although hundreds of the documents about him and his work have been published, usually in specialised publications based on material in a single archive, there have only been two attempts to provide an overview of the entire body of documents and early published references to him, the first by Crowe and Cavalcaselle in 1877, the second by Adolfo Venturi in 1928. These publications were necessarily selective and included transcriptions of only a small part of the material which was used. The collection, amounting to over two thousand nine hundred items, includes not only texts specifically about Titian himself, but also those concerning his siblings and children, his principal assistants and the other members of the Vecellio family already active as painters before his death, as well as inscriptions on paintings and prints. In addition to texts dating from Titian’s lifetime, the collection includes all biographical material published before 1700 and all other texts that could realistically be thought to reflect first- or second-hand anecdotal information about him. The particular strengths and limitations of the principal early printed sources and the circumstances in which they were produced are discussed in a substantial introduction, which also includes an overview of the main archival collections consulted in the preparation of the book. Most of these are in Italy, but others are in Spain, Austria and Germany. New transcriptions are provided for the great majority of the documents that have previously been published, and many hitherto unknown documents have been included. Consideration is given also to documents now known only via secondary sources, and to fake documents, of which a significant number were produced in the past two centuries., Quelle (DE-588)4135952-5 (DE-627)105661236 (DE-576)209665084 gnd-content, Briefsammlung (DE-588)4146609-3 (DE-627)104269936 (DE-576)209750472 gnd-content, p (DE-588)118622994 (DE-627)133455408 (DE-576)163323321 Vecellio, Tiziano 1490-1576 gnd, s (DE-588)4139988-2 (DE-627)104312491 (DE-576)209699000 Dokument gnd, z gnd Geschichte 1458-1798, (DE-627), 9781914532030 ebk, Erscheint auch als Online-Ausgabe 978-1-914532-03-0, DE-D13 2023-09-08T16:55:12Z epn:3902127872
spellingShingle Hope, Charles, Titian: sources and documents, Titian was one of the most famous, successful and long-lived of Renaissance painters. Much of his output was for rulers or institutions whose archives have been in large part preserved, and many of his family papers have also survived. In addition, he was mentioned in more than a hundred and sixty different publications in his lifetime. Although hundreds of the documents about him and his work have been published, usually in specialised publications based on material in a single archive, there have only been two attempts to provide an overview of the entire body of documents and early published references to him, the first by Crowe and Cavalcaselle in 1877, the second by Adolfo Venturi in 1928. These publications were necessarily selective and included transcriptions of only a small part of the material which was used. The collection, amounting to over two thousand nine hundred items, includes not only texts specifically about Titian himself, but also those concerning his siblings and children, his principal assistants and the other members of the Vecellio family already active as painters before his death, as well as inscriptions on paintings and prints. In addition to texts dating from Titian’s lifetime, the collection includes all biographical material published before 1700 and all other texts that could realistically be thought to reflect first- or second-hand anecdotal information about him. The particular strengths and limitations of the principal early printed sources and the circumstances in which they were produced are discussed in a substantial introduction, which also includes an overview of the main archival collections consulted in the preparation of the book. Most of these are in Italy, but others are in Spain, Austria and Germany. New transcriptions are provided for the great majority of the documents that have previously been published, and many hitherto unknown documents have been included. Consideration is given also to documents now known only via secondary sources, and to fake documents, of which a significant number were produced in the past two centuries., Quelle, Briefsammlung, Vecellio, Tiziano, Dokument, Geschichte 1458-1798
title Titian: sources and documents
title_auth Titian sources and documents
title_full Titian sources and documents Charles Hope
title_fullStr Titian sources and documents Charles Hope
title_full_unstemmed Titian sources and documents Charles Hope
title_short Titian
title_sort titian sources and documents
title_sub sources and documents
title_unstemmed Titian: sources and documents
topic Quelle, Briefsammlung, Vecellio, Tiziano, Dokument, Geschichte 1458-1798
topic_facet Quelle, Briefsammlung, Vecellio, Tiziano, Dokument, Geschichte 1458-1798