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rft.atitle Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert
rft.epage 114
rft.genre article
rft.issn 0003-9292
rft.issue 2
rft.jtitle Archiv für Musikwissenschaft
rft.tpages 17
rft.pages 97-114
rft.pub Franz Steiner Verlag
rft.date 2003-01-01
x.date 2003-01-01T00:00:00Z
rft.spage 97
rft.volume 60
abstract <p>What we know of the repertory associated with the eighteenth-century court of the Cologne electors in Bonn is primarily based on three inventories, drawn up in 1723/24, 1766, and 1784 respectively. A fourth inventory at the Biblioteca Estense in Modena, together with the bulk of what remains of the court's musical collections, lists the parts and scores once in the possession of Maximilian Franz (1756-1801), the last Cologne elector and youngest son of Maria Theresia. The majority of these circa 3,400 manuscripts and prints-compositions by Haydn, Mozart, Pleyel, Salieri, and others-is a reflection of the music that would have influenced the young instrumentalist and composer Beethoven, not only after his move to Vienna in 1792 but already during his employment as a court musician in Bonn.</p>
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url https://www.jstor.org/stable/4145451
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author Riepe, Juliane
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description <p>What we know of the repertory associated with the eighteenth-century court of the Cologne electors in Bonn is primarily based on three inventories, drawn up in 1723/24, 1766, and 1784 respectively. A fourth inventory at the Biblioteca Estense in Modena, together with the bulk of what remains of the court's musical collections, lists the parts and scores once in the possession of Maximilian Franz (1756-1801), the last Cologne elector and youngest son of Maria Theresia. The majority of these circa 3,400 manuscripts and prints-compositions by Haydn, Mozart, Pleyel, Salieri, and others-is a reflection of the music that would have influenced the young instrumentalist and composer Beethoven, not only after his move to Vienna in 1792 but already during his employment as a court musician in Bonn.</p>
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spelling Riepe, Juliane 0003-9292 Franz Steiner Verlag https://www.jstor.org/stable/4145451 <p>What we know of the repertory associated with the eighteenth-century court of the Cologne electors in Bonn is primarily based on three inventories, drawn up in 1723/24, 1766, and 1784 respectively. A fourth inventory at the Biblioteca Estense in Modena, together with the bulk of what remains of the court's musical collections, lists the parts and scores once in the possession of Maximilian Franz (1756-1801), the last Cologne elector and youngest son of Maria Theresia. The majority of these circa 3,400 manuscripts and prints-compositions by Haydn, Mozart, Pleyel, Salieri, and others-is a reflection of the music that would have influenced the young instrumentalist and composer Beethoven, not only after his move to Vienna in 1792 but already during his employment as a court musician in Bonn.</p> Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert Archiv für Musikwissenschaft
spellingShingle Riepe, Juliane, Archiv für Musikwissenschaft, Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert
title Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert
title_full Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert
title_fullStr Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert
title_full_unstemmed Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert
title_short Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert
title_sort eine neue quelle zum repertoire der bonner hofkapelle im späten 18. jahrhundert
title_unstemmed Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert
url https://www.jstor.org/stable/4145451