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Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert
Gespeichert in:
Zeitschriftentitel: | Archiv für Musikwissenschaft |
---|---|
Personen und Körperschaften: | |
In: | Archiv für Musikwissenschaft, 60, 2003, 2, S. 97-114 |
Format: | E-Article |
Sprache: | Deutsch |
veröffentlicht: |
Franz Steiner Verlag
|
finc.format |
ElectronicArticle |
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finc.mega_collection |
sid-55-col-jstormusic sid-55-col-jstoras3 JSTOR Music Archive JSTOR Arts & Sciences III Archive |
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ai-55-aHR0cHM6Ly93d3cuanN0b3Iub3JnL3N0YWJsZS80MTQ1NDUx |
finc.source_id |
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ris.type |
EJOUR |
rft.atitle |
Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert |
rft.epage |
114 |
rft.genre |
article |
rft.issn |
0003-9292 |
rft.issue |
2 |
rft.jtitle |
Archiv für Musikwissenschaft |
rft.tpages |
17 |
rft.pages |
97-114 |
rft.pub |
Franz Steiner Verlag |
rft.date |
2003-01-01 |
x.date |
2003-01-01T00:00:00Z |
rft.spage |
97 |
rft.volume |
60 |
abstract |
<p>What we know of the repertory associated with the eighteenth-century court of the Cologne electors in Bonn is primarily based on three inventories, drawn up in 1723/24, 1766, and 1784 respectively. A fourth inventory at the Biblioteca Estense in Modena, together with the bulk of what remains of the court's musical collections, lists the parts and scores once in the possession of Maximilian Franz (1756-1801), the last Cologne elector and youngest son of Maria Theresia. The majority of these circa 3,400 manuscripts and prints-compositions by Haydn, Mozart, Pleyel, Salieri, and others-is a reflection of the music that would have influenced the young instrumentalist and composer Beethoven, not only after his move to Vienna in 1792 but already during his employment as a court musician in Bonn.</p> |
authors |
Array
(
[rft.aulast] => Riepe
[rft.aufirst] => Juliane
)
|
languages |
ger |
url |
https://www.jstor.org/stable/4145451 |
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author | Riepe, Juliane |
author_facet | Riepe, Juliane, Riepe, Juliane |
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container_issue | 2 |
container_start_page | 97 |
container_title | Archiv für Musikwissenschaft |
container_volume | 60 |
description | <p>What we know of the repertory associated with the eighteenth-century court of the Cologne electors in Bonn is primarily based on three inventories, drawn up in 1723/24, 1766, and 1784 respectively. A fourth inventory at the Biblioteca Estense in Modena, together with the bulk of what remains of the court's musical collections, lists the parts and scores once in the possession of Maximilian Franz (1756-1801), the last Cologne elector and youngest son of Maria Theresia. The majority of these circa 3,400 manuscripts and prints-compositions by Haydn, Mozart, Pleyel, Salieri, and others-is a reflection of the music that would have influenced the young instrumentalist and composer Beethoven, not only after his move to Vienna in 1792 but already during his employment as a court musician in Bonn.</p> |
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id | ai-55-aHR0cHM6Ly93d3cuanN0b3Iub3JnL3N0YWJsZS80MTQ1NDUx |
imprint | Franz Steiner Verlag, 2003 |
imprint_str_mv | Franz Steiner Verlag, 2003 |
institution | DE-L152, DE-15, DE-14, DE-575, DE-Trs1, DE-D13, DE-Mh31, DE-Kn38, DE-Frei50 |
issn | 0003-9292 |
issn_str_mv | 0003-9292 |
language | German |
last_indexed | 2024-03-01T22:50:02.019Z |
match_str | riepe2003eineneuequellezumrepertoirederbonnerhofkapelleimspaten18jahrhundert |
mega_collection | JSTOR Music Archive, JSTOR Arts & Sciences III Archive |
physical | 97-114 |
publishDate | 2003 |
publishDateSort | 2003 |
publisher | Franz Steiner Verlag |
record_format | ai |
recordtype | ai |
score | 18,458569 |
series | Archiv für Musikwissenschaft |
source_id | 55 |
spelling | Riepe, Juliane 0003-9292 Franz Steiner Verlag https://www.jstor.org/stable/4145451 <p>What we know of the repertory associated with the eighteenth-century court of the Cologne electors in Bonn is primarily based on three inventories, drawn up in 1723/24, 1766, and 1784 respectively. A fourth inventory at the Biblioteca Estense in Modena, together with the bulk of what remains of the court's musical collections, lists the parts and scores once in the possession of Maximilian Franz (1756-1801), the last Cologne elector and youngest son of Maria Theresia. The majority of these circa 3,400 manuscripts and prints-compositions by Haydn, Mozart, Pleyel, Salieri, and others-is a reflection of the music that would have influenced the young instrumentalist and composer Beethoven, not only after his move to Vienna in 1792 but already during his employment as a court musician in Bonn.</p> Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert Archiv für Musikwissenschaft |
spellingShingle | Riepe, Juliane, Archiv für Musikwissenschaft, Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert |
title | Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert |
title_full | Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert |
title_fullStr | Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert |
title_full_unstemmed | Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert |
title_short | Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert |
title_sort | eine neue quelle zum repertoire der bonner hofkapelle im späten 18. jahrhundert |
title_unstemmed | Eine neue Quelle zum Repertoire der Bonner Hofkapelle im späten 18. Jahrhundert |
url | https://www.jstor.org/stable/4145451 |