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Camera Ministry
Gespeichert in:
Zeitschriftentitel: | Transition: An International Review |
---|---|
Personen und Körperschaften: | , |
In: | Transition: An International Review, 2016, 120, S. 46-60 |
Format: | E-Article |
Sprache: | Englisch |
veröffentlicht: |
Indiana University Press
|
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ElectronicArticle |
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sid-55-col-jstoras1 sid-55-col-jstorlanguage JSTOR Arts & Sciences I Archive JSTOR Language & Literature Archive |
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finc.record_id |
10.2979/transition.120.1.07 |
finc.source_id |
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ris.type |
EJOUR |
rft.atitle |
Camera Ministry |
rft.epage |
60 |
rft.genre |
article |
rft.issn |
0041-1191 1527-8042 |
rft.issue |
120 |
rft.jtitle |
Transition: An International Review |
rft.tpages |
14 |
rft.pages |
46-60 |
rft.pub |
Indiana University Press |
rft.date |
2016-01-01 |
x.date |
2016-01-01T00:00:00Z |
rft.spage |
46 |
abstract |
<p>In a post-screening talkback, filmmaker<bold>Khalik Allah</bold>talks with<bold>Tommie Shelby</bold>about his depiction of life on a Harlem street corner in the film “Field Niggas,” and about responses to his work from his subjects, and the public.</p> |
authors |
Array
(
[rft.aulast] => Allah
[rft.aufirst] => Khalik
)
Array ( [rft.aulast] => Shelby [rft.aufirst] => Tommie ) |
doi |
10.2979/transition.120.1.07 |
languages |
eng |
url |
https://www.jstor.org/stable/10.2979/transition.120.1.07 |
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0.9 |
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SOLR | |
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author | Allah, Khalik, Shelby, Tommie |
author_facet | Allah, Khalik, Shelby, Tommie, Allah, Khalik, Shelby, Tommie |
author_sort | allah, khalik |
collection | sid-55-col-jstoras1, sid-55-col-jstorlanguage |
container_issue | 120 |
container_start_page | 46 |
container_title | Transition: An International Review |
description | <p>In a post-screening talkback, filmmaker<bold>Khalik Allah</bold>talks with<bold>Tommie Shelby</bold>about his depiction of life on a Harlem street corner in the film “Field Niggas,” and about responses to his work from his subjects, and the public.</p> |
doi_str_mv | 10.2979/transition.120.1.07 |
facet_avail | Online |
format | ElectronicArticle |
format_de105 | Article, E-Article |
format_de14 | Article, E-Article |
format_de15 | Article, E-Article |
format_de520 | Article, E-Article |
format_de540 | Article, E-Article |
format_dech1 | Article, E-Article |
format_ded117 | Article, E-Article |
format_degla1 | E-Article |
format_del152 | Buch |
format_del189 | Article, E-Article |
format_dezi4 | Article |
format_dezwi2 | Article, E-Article |
format_finc | Article, E-Article |
format_nrw | Article, E-Article |
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geogr_code_person | not assigned |
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imprint | Indiana University Press, 2016 |
imprint_str_mv | Indiana University Press, 2016 |
institution | DE-15, DE-14, DE-Ch1, DE-D13 |
issn | 0041-1191, 1527-8042 |
issn_str_mv | 0041-1191, 1527-8042 |
language | English |
last_indexed | 2024-03-01T22:00:33.304Z |
match_str | allah2016cameraministry |
mega_collection | JSTOR Arts & Sciences I Archive, JSTOR Language & Literature Archive |
physical | 46-60 |
publishDate | 2016 |
publishDateSort | 2016 |
publisher | Indiana University Press |
record_format | ai |
record_id | 10.2979/transition.120.1.07 |
recordtype | ai |
score | 18,864033 |
series | Transition: An International Review |
source_id | 55 |
spelling | Allah, Khalik Shelby, Tommie 0041-1191 1527-8042 Indiana University Press https://www.jstor.org/stable/10.2979/transition.120.1.07 <p>In a post-screening talkback, filmmaker<bold>Khalik Allah</bold>talks with<bold>Tommie Shelby</bold>about his depiction of life on a Harlem street corner in the film “Field Niggas,” and about responses to his work from his subjects, and the public.</p> Camera Ministry Transition: An International Review |
spellingShingle | Allah, Khalik, Shelby, Tommie, Transition: An International Review, Camera Ministry |
title | Camera Ministry |
title_full | Camera Ministry |
title_fullStr | Camera Ministry |
title_full_unstemmed | Camera Ministry |
title_short | Camera Ministry |
title_sort | camera ministry |
title_unstemmed | Camera Ministry |
url | https://www.jstor.org/stable/10.2979/transition.120.1.07, https://doi.org/10.2979/transition.120.1.07 |