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Camera Ministry
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| Zeitschriftentitel: | Transition: An International Review |
|---|---|
| Personen und Körperschaften: | , |
| In: | Transition: An International Review, 2016, 120, S. 46-60 |
| Format: | E-Article |
| Sprache: | Englisch |
| veröffentlicht: |
Indiana University Press
|
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ElectronicArticle |
|---|---|
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sid-55-col-jstoras1 sid-55-col-jstorlanguage JSTOR Arts & Sciences I Archive JSTOR Language & Literature Archive |
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| finc.record_id |
10.2979/transition.120.1.07 |
| finc.source_id |
55 |
| ris.type |
EJOUR |
| rft.atitle |
Camera Ministry |
| rft.epage |
60 |
| rft.genre |
article |
| rft.issn |
0041-1191 1527-8042 |
| rft.issue |
120 |
| rft.jtitle |
Transition: An International Review |
| rft.tpages |
14 |
| rft.pages |
46-60 |
| rft.pub |
Indiana University Press |
| rft.date |
2016-01-01 |
| x.date |
2016-01-01T00:00:00Z |
| rft.spage |
46 |
| abstract |
<p>In a post-screening talkback, filmmaker<bold>Khalik Allah</bold>talks with<bold>Tommie Shelby</bold>about his depiction of life on a Harlem street corner in the film “Field Niggas,” and about responses to his work from his subjects, and the public.</p> |
| authors |
Array
(
[rft.aulast] => Allah
[rft.aufirst] => Khalik
)
Array ( [rft.aulast] => Shelby [rft.aufirst] => Tommie ) |
| doi |
10.2979/transition.120.1.07 |
| languages |
eng |
| url |
https://www.jstor.org/stable/10.2979/transition.120.1.07 |
| version |
0.9 |
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| SOLR | |
| _version_ | 1792362869893890051 |
| author | Allah, Khalik, Shelby, Tommie |
| author_facet | Allah, Khalik, Shelby, Tommie, Allah, Khalik, Shelby, Tommie |
| author_sort | allah, khalik |
| collection | sid-55-col-jstoras1, sid-55-col-jstorlanguage |
| container_issue | 120 |
| container_start_page | 46 |
| container_title | Transition: An International Review |
| description | <p>In a post-screening talkback, filmmaker<bold>Khalik Allah</bold>talks with<bold>Tommie Shelby</bold>about his depiction of life on a Harlem street corner in the film “Field Niggas,” and about responses to his work from his subjects, and the public.</p> |
| doi_str_mv | 10.2979/transition.120.1.07 |
| facet_avail | Online |
| format | ElectronicArticle |
| format_de105 | Article, E-Article |
| format_de14 | Article, E-Article |
| format_de15 | Article, E-Article |
| format_de520 | Article, E-Article |
| format_de540 | Article, E-Article |
| format_dech1 | Article, E-Article |
| format_ded117 | Article, E-Article |
| format_degla1 | E-Article |
| format_del152 | Buch |
| format_del189 | Article, E-Article |
| format_dezi4 | Article |
| format_dezwi2 | Article, E-Article |
| format_finc | Article, E-Article |
| format_nrw | Article, E-Article |
| geogr_code | not assigned |
| geogr_code_person | not assigned |
| id | ai-55-aHR0cHM6Ly93d3cuanN0b3Iub3JnL3N0YWJsZS8xMC4yOTc5L3RyYW5zaXRpb24uMTIwLjEuMDc |
| imprint | Indiana University Press, 2016 |
| imprint_str_mv | Indiana University Press, 2016 |
| institution | DE-15, DE-14, DE-Ch1, DE-D13 |
| issn | 0041-1191, 1527-8042 |
| issn_str_mv | 0041-1191, 1527-8042 |
| language | English |
| last_indexed | 2024-03-01T22:00:33.304Z |
| match_str | allah2016cameraministry |
| mega_collection | JSTOR Arts & Sciences I Archive, JSTOR Language & Literature Archive |
| physical | 46-60 |
| publishDate | 2016 |
| publishDateSort | 2016 |
| publisher | Indiana University Press |
| record_format | ai |
| record_id | 10.2979/transition.120.1.07 |
| recordtype | ai |
| score | 18,864033 |
| series | Transition: An International Review |
| source_id | 55 |
| spelling | Allah, Khalik Shelby, Tommie 0041-1191 1527-8042 Indiana University Press https://www.jstor.org/stable/10.2979/transition.120.1.07 <p>In a post-screening talkback, filmmaker<bold>Khalik Allah</bold>talks with<bold>Tommie Shelby</bold>about his depiction of life on a Harlem street corner in the film “Field Niggas,” and about responses to his work from his subjects, and the public.</p> Camera Ministry Transition: An International Review |
| spellingShingle | Allah, Khalik, Shelby, Tommie, Transition: An International Review, Camera Ministry |
| title | Camera Ministry |
| title_full | Camera Ministry |
| title_fullStr | Camera Ministry |
| title_full_unstemmed | Camera Ministry |
| title_short | Camera Ministry |
| title_sort | camera ministry |
| title_unstemmed | Camera Ministry |
| url | https://www.jstor.org/stable/10.2979/transition.120.1.07, https://doi.org/10.2979/transition.120.1.07 |